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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,

In his overcoat Mr. Zalhambra seemed to fill the doorway as Mrs. Newman greeted him. A moment’s private talk and the hostess understood the situation. From the drawing-room a ripple of childish laughter reached their ears.,

“Cows have a long tale. They wave it and it keeps there back cool, sometimes they wave it to keep off flies and other insecks. Cows cannot run as fast as a hoarse but if she is chasing you she seems to be running very fast. If she chases you pick up a tin can or pale and hit on it with a stone. The cow will then stampeed. Cows have four feet called hoofs. They are useful for walking this is all I know about cows.”,

“Oh, Betty,” he begged, “Pease dive me some.”

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“Well, the lack of Buzz shall not damage your show; I’ll go,” Mrs. Lancaster yielded.,

“O, Dadsie,” was the reply, “this is recital afternoon, you know.”,

“An’ well I know who’s makin’ him stew an’ chomp. You needn’t try to deceive yer, Mar,” chided the knowing matron.,

Arrived at home almost bursting with information, the child recounted to his astonished mother a long complicated story of how “theh was a lot of bad men and they weh et by a big fish, the big fish met a man on the woad called Jonah and asked him what he was doing on the woad and Jonah pwayed weel hahd and wode on the fish and a big wind blowed him off, just like Lila William’s hen-house.”